Dinosaur
All photos on this page are protected by copyright ©André Robé.
No use is permitted without the author’s written consent.
Dinosaur
1958 – Dinosaur National Monument, Utah, USA
This photograph, taken in 1958 at the entrance to the Dinosaur National Monument, is an ode to the great American outdoors and the spirit of the road trip. A majestic 1958 Pontiac Star Chief, recognizable by its elegant lines and chrome ornaments characteristic of the era, takes center stage. The composition is highlighted by the wooden sign marking the park’s entrance, while the arid mountains and the shimmering lake provide a stunning and wild backdrop.
The Dinosaur National Monument spans a vast desert area in northwestern Colorado and northeastern Utah, a region where breathtaking landscapes and dinosaur fossils tell a story of millions of years of geological history.
The scene, imbued with a gentle nostalgia, recalls the work of renowned photographer Stephen Shore, a master of American vernacular photography. The vivid colors of the car contrast with the natural landscape, turning this everyday scene into a poetic exploration of post-war America.
Part of the private collection of André Robé, a passionate collector of vernacular slides from the 1950s to the 1970s, this photograph captures the essence of freedom and the aesthetic of 1950s road trips. It is a rare visual testimony to a time when the automobile was the ultimate symbol of escape and discovery.
The different types of frames and finishes available
The print comes with its certificate of authenticity and a Hahnemühle hologram affixed to the back.
The framing is left to your discretion.
The floating frame, sleek and modern, is one of the preferred framing choices for contemporary art galleries and museums.
The floating frame perfectly enhances your photographic print.
The spacing between the frame and the image creates a floating effect and highlights the image, making it an ideal art frame to maximize the depth and elegance of the artworks in our collection.
The print is mounted on a 2 mm Dibond panel and placed in the frame.
The depth of the floating frame is 4 cm, and the gap between the photograph and the inner edges of the frame is 0.8 cm for black or white finishes and 1 cm for wood finishes (Oak, Wenge, etc.). This arrangement creates a visually pleasing “floating” effect. Finally, a hanging system is attached to the back of the frame for a quick, easy, and secure installation.
This classic framing combines timeless elegance and sophistication, offering a sublime presentation for your most precious artworks and photographs. A wooden or aluminum frame, chosen for its simplicity and nobility, adds a touch of authenticity and refinement to your piece.
The mat, an essential element of this ensemble, enhances the artwork by creating a visual space around it. It highlights the details and nuances while adding extra depth. Carefully selected, it perfectly complements the artwork without overwhelming it, allowing every detail to stand out.
Finally, the museum glass, of exceptional quality, provides optimal protection against harmful elements such as dust, humidity, and UV rays. With its unmatched clarity and anti-reflective properties, it ensures perfect visibility from every angle, allowing your artwork to shine without distractions.
This harmonious ensemble transforms each piece into a masterpiece, ready to be admired and preserved for generations to come. Investing in a classic frame means choosing to enhance and protect what you cherish with unparalleled distinction.
Contact us for any specific size or custom finishes, whether it’s for the choice of fine art paper, adding a white margin, the wood type of the frame, or even a specific framing.
We are here to listen and meet your needs to enhance your Fine Art photographic print.
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The Artist
André Robé
Photographer
Pigment inkjet print on Fine Art paper, supplied with Hahnemühle certificate of authenticity.
The print is laminated onto a 2 mm Dibond sheet and mounted in the floating frame to give it visual depth.
The Fine Art print is placed on neutral cardboard, then covered with a 7 cm beveled white mat and anti-reflective, UV-resistant museum glass, before being framed in black aluminum or wood (black, white, oak or wenge).