Glitches: Trees III
All photos on this page are protected by copyright ©Sebastien Desnoulez.
No use is permitted without the author’s written consent.
Glitches: Trees III
February 2020 – Essone, France
The “Glitches Series” is a collection of artistic black-and-white photographs that explore the aesthetics of glitch and visual distortion.In this series, the photographer captures bare trees in winter lining a county road, but with a fascinating twist, the trees seem to double in hypnotic, disorienting repetition.Each photo in the series presents a unique perspective on this visual distortion, creating a sensation of movement and blur that defies reality.Trees, normally static and unchanging, take on new life in this glitched universe, where contours blur and merge into one another.The use of black and white adds an extra dimension to the series, accentuating contrasts and textures to create an atmosphere that is both mysterious and striking.Shades of gray intensify the sense of depth and perspective, while the split forms of the trees evoke a sense of strangeness and wonder.Together, the photographs in the “Glitches Series” invite the viewer to explore the limits of visual perception and challenge our understanding of reality.It’s an immersive artistic experience that pushes the boundaries of imagination and creativity, capturing the very essence of mystery and beauty in a world where distortion becomes a form of artistic expression.
The different types of frames and finishes available
The print comes with its certificate of authenticity and a Hahnemühle hologram affixed to the back.
The framing is left to your discretion.
The floating frame, sleek and modern, is one of the preferred framing choices for contemporary art galleries and museums.
The floating frame perfectly enhances your photographic print.
The spacing between the frame and the image creates a floating effect and highlights the image, making it an ideal art frame to maximize the depth and elegance of the artworks in our collection.
The print is mounted on a 2 mm Dibond panel and placed in the frame.
The depth of the floating frame is 4 cm, and the gap between the photograph and the inner edges of the frame is 0.8 cm for black or white finishes and 1 cm for wood finishes (Oak, Wenge, etc.). This arrangement creates a visually pleasing “floating” effect. Finally, a hanging system is attached to the back of the frame for a quick, easy, and secure installation.
This classic framing combines timeless elegance and sophistication, offering a sublime presentation for your most precious artworks and photographs. A wooden or aluminum frame, chosen for its simplicity and nobility, adds a touch of authenticity and refinement to your piece.
The mat, an essential element of this ensemble, enhances the artwork by creating a visual space around it. It highlights the details and nuances while adding extra depth. Carefully selected, it perfectly complements the artwork without overwhelming it, allowing every detail to stand out.
Finally, the museum glass, of exceptional quality, provides optimal protection against harmful elements such as dust, humidity, and UV rays. With its unmatched clarity and anti-reflective properties, it ensures perfect visibility from every angle, allowing your artwork to shine without distractions.
This harmonious ensemble transforms each piece into a masterpiece, ready to be admired and preserved for generations to come. Investing in a classic frame means choosing to enhance and protect what you cherish with unparalleled distinction.
Contact us for any specific size or custom finishes, whether it’s for the choice of fine art paper, adding a white margin, the wood type of the frame, or even a specific framing.
We are here to listen and meet your needs to enhance your Fine Art photographic print.
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The Artist
Sebastien Desnoulez
Photographer
Pigment inkjet print on Fine Art paper, supplied with Hahnemühle certificate of authenticity.
The print is laminated onto a 2 mm Dibond sheet and mounted in the floating frame to give it visual depth.
The Fine Art print is placed on neutral cardboard, then covered with a 7 cm beveled white mat and anti-reflective, UV-resistant museum glass, before being framed in black aluminum or wood (black, white, oak or wenge).